Camps shown here are more advanced examples of modeling art. The dioramas are more complex, the construction has more elements in it (in most cases), and they are usually physically larger (require more space on the mapboard).
Some of these camps are in 28mm scale (80mm base width). Most of my Fantasy Triumph armies are in 80mm base width, and fantasy armies are particularly fun to make camps for.
In addition to the 15mm figure scale camps for playing Triumph! on 40mm base width, and the 28/30mm figure scale camps for playing on 80mm base widths, I've made some camps for my Monsterpocalypse armies on 60mm base widths (still for playing Triumph!). Those camps are usually complex (so belong in this category) but have some restrictions of their own; they can be viewed by hitting the button below.
The Dacians were a Germanic/Thracian civilization that were conquered by Trajan. They used advanced fortifications and siege artillery.
This camp is built on a square styrofoam base (see the fourth picture). The main construction is balsa wood and other craft woods, scored to create the illusion of planks. Dots with black pen serve as metal nails. The stonework is impressed designs on sculpee (polymer clay), trimmed to fit. Rocks are cast plaster, mostly. The two Dacian figures are Essex miniatures; the dead Roman at the base of the tower is possibly Freikorps.
The top level of the tower is slightly larger than 40mm square, so a single Artillery stand will fit inside it exactly.
Sometimes metal castings arrive broken or missing parts. In this case I had an Essex NKE (New Kingdom Egyptian) chariot that had a broken shaft when it arrived. It seemed like a fun thought to create a camp around it -- a chariot that had broken an axle.
The rocky outcropping on the left side is a plaster casting (using Woodland Scenics moulds). The figures are mostly Essex; the one exception is the guy with the big axe, who is Gladiator.
This temple is built mostly of foamcore. The stairs are foamcore, cut carefully with an Exacto knife to create a staircase. The stele of the dismembered moon goddess on the top of the temple building is hand carved by Exacto knife as a replica of the 3-meter diameter stele of the moon goddess (Coyolxāuhqui) found in Mexico City in 1978. The frescoes are images of Aztec dieties printed out and pasted down, as are all the Aztec year signs that decorate the lowest level of the pyramid.
The feathered serpent heads were cast for me by Nic Robson of Eureka miniatures based upon a carving I sent him; I set them into the roundels which are made of Sculpee (polymer modeling clay).
Granada and Andalusia includes some very distinctive architecture, including these keyhole-shaped arches which could be on small doors and very large gates both.
I carved the gate (and the side doors) out of Sculpee (polymer modeling clay); the structure of the building is all foamcore. The crenelations are cast in plaster based on a mold I created. It was a lot of work, but that was 20 years before 3D printing would have allowed me to solve the problem in a different way.
The figures are Essex.
This Roman Milefort came as a laser-cut MDF kit. The company that makes it is Australian, but doesn't seem to produce this kit any more.
Putting it together was easy. Painting it was not nearly so easy -- there was an awful lot of surface area to be covered-=]\= .
If I was to do this again I would mostly paint it BEFORE putting it together.
This works for Post-Mongol Russian and Early Russian armies. Growing up in the snow, I really wanted to try doing a snow camp. Russian warfare happened in the summer and in the winter, but not in Spring or Fall. The two figures are Essex EMED range. I don't remember where I got the trees or the cookpot and fire. I had a lot of fun doing the footprints in the snow leading to the axeman.
Dead horse and praying monks!
The monks and dead horse are Essex; the Teutonic Knight is Gladiator. The rocks are cast plaster from a Woodland Scenics railway mold. The flag is painted foil -- I gave up on that technique, as the foil tends to shed the paint given any excuse. I'm surprised that this one flag is doing so well, actually.
In Progress photo showing the camp before any vegetation was added.
Why do I have more Aztec Camps than Aztec armies?
This camp was great fun to make -- I had some Gladiator Aztec porters, and I wanted to make them coming through a jungle trail. The hardest part was to create enough different vegetation types to look properly jungle-y. Take a look at the breadfruit/bananas -- those are caraway seeds glued together to make a bunch of banana-ey things.
Palisade camps are easy; this includes a bunch of Celtic round-house and other pre-Roman buildings. Not sure of their manufacturer -- maybe JR Miniatures? 6mm scale (1/285th or 1/300th).
Another 6mm scale camp. I had a 6mm scale Greek ruins thing, added a Celtic round house in that scale and a chariot and some foot. Perfect for the Galatians, who nearly destroyed Greece until heading off into the Anatolian peninsula instead, a few generations after Alexander.
I think the pack camel and Arab boy are AB Miniatures? Don't recall who makes the tent.
The cast palm trees look nice, but they are fragile; I've developed better methods for building them since.
I found these pack animals carrying Assyrian style shields somewhere -- I thought they were Essex, but looking through the catalog I don't see them anywhere, so maybe not. Camps with water features are fun, and even more so if it has a crocodile watching as the caravan passes.
This gorgeous wall with gates (that can be created open -- I chose to make them closed here) is by Baueda. Love it.
I sold my first Tamil army to my friend Jon Bostwick; this is a camp I made up for him early in 2025 for that army when I refurbished and rebased it for him.
The wooden Ganesha statue was supplied by him. I dipped it ("dip" is a technique using pigment and polyurethane in one step to seal, darken, and function as a wash -- it works really well with bare wood) and added some flower-shield infantry in a jungle environment (lots of vegetation).
Another small icon figure repurposed to be a huge 15mm statue.
The base for the statue is foamcore, painted and scored and with stairs cut into it.
There are lots of manuscript illustrations of pavilions in the Hundred Year's War between England and France; luckily for gamers the art of the 14th century is approaching accuracy (the details are no longer stylized, and you can base reproductions upon what you see in the manuscript illustration). So the colors of the pavilion here are based upon actual pavilions.
I got a little obsessive-compulsive here -- the tents here are built of tissue paper, stretched on forms, so they are semi-translucent, much like canvas tents are. It is a lot of work. The octagonal pavilion is built on a center-pole design with internal bracing of thread.
Figures are Essex, except the pig, which I think might be Peter Pig.
This camp was constructed as a pair with the 6mm Hun Wagon Laager camp below.
Most of the figures are 6mm Irregular, I believe. The tents are all created from Sculpee (polymer modeling clay).
I like this camp a lot, but if I were to do it again, I'd do better with the spikes or palisade walls. Cutting them by hand wasn't very successful, and was very fussy, and they sometimes seem to fall out.
This camp is intended for a Late Imperial Roman or Patrician Roman camp; it would work fine for Maurikian Byzantine as well. Shield patterns on the 6mm figures are from the Notitia Dignitatum.
6mm scale figures used to be much less expensive; maybe 3D printing will help with that in the modern gaming era. These figures are largely Irregular 6mm wagons, I believe. I do like the little dioramas you can create if you are working with 6mm figures.
One of the major opponents of the Lithuanians was the Teutonic Order. I had some Essex "casualties" figures with 13th century barding and armor, so I painted them up as Teutonic Order and put a Lithuanian footman (Gladiator fig) as their enemy, holding the camp.
The dead tree is made of twisted wire; the hanging lichen is a collection of the trailing strands of hot-melt glue that you get. The base is leather glued to sheet metal (don't use hot melt glue for this; it doesn't last more than five years or so). Marshy rivulets are painted with gloss polyurethane.
Paint up a Macedonian or Hellenistic army and you'll end up with lots of extra phalanx figures. What to do with them? A training montage! So here's a camp for any Big Al, Diadachoii, or Hellenistic army, with a foul-mouthed veteran giving some recruits crap about their formation maneuvers. And a Cretan mercenary bowman on guard in case of enemy incursion.
Some long time ago I created a city ("Built Up Area") for a legacy game that had such things. The rules were an abomination (confusing the scope of sieges with the scope of field battles), but I eventually chopped the city up and made some camps, of which this is one.
The front gate, crenelations on the towers, and the intervening walls, are made of Sculpee (polymer clay). The towers themselves are just wood blocks cut on my table saw. A bit of paint, a bit of basing and flocking, and a very nice camp results.
This camp could have been organized in the "Object Camps" category. The main thing here is a small aquarium decoration Torii gate. The paint is touched up and it is plopped on a base. It serves as my main camp for my Post Mongol Samurai army.
The main reason I organized it here, not in the Object Camps, is because of the ceramic tile pathway. It's made from plastic shelf liner with a tiny hexagonal pattern that scales beautifully as large ceramic hexagonal tiles on this model. Working with the flexible plastic shelf liner was difficult -- the plastic didn't take primer well, didn't take paint well at all, and didn't adhere to most glues. Which made sense, given its origin. Once I found a good glue and glued it down, though, painted in terracotta and drybrushed, it was beautiful.
The camp here is based upon an Angus McBride illustration of Ancient Spanish warfare against Carthage and Rome, showing the side of a hillfort with spikes and vegetation.
The hillside is styrofoam; all the woodwork is toothpicks and wooden skewers for kebabs (which are super-toothpicks, kinda).
This is more a medium complexity camp than a truly complex camp, but hey.
This is a camp I made for Chris Brantley, for a Pictish army he had.
Crannogs are either artificial islands or (as here) wooden structures built on piles in water, enabling their defense.
Here the hut is a resin casting. I built piles, a platform, and a removable plank access with scraps of wood, dowels, and balsa. The water is commercial resin fake water; as it was maybe 25 years ago I don't recall the product (maybe Woodland Scenics?), but it makes a great lake. The civilian figures are Falcon Figures, I'm fairly sure. The young girl running on the planks was absolutely perfect for this scene.
This is another camp I made for Chris Brantley, in this case for the Wallachian / Moldavian army that I painted for him.
The Wallachians and Moldavians fought the Ottomans in the 15th century, and were known for their tactics of raiding and then retreating to passes in the wooded mountains where they laid ambushes.
I believe the figures are Essex, from their EMED range. I don't recall where the spiked barriers came from.
The pictures here are quite old. This is a Minoan Labyrinth camp I made for David Schlanger, maybe 20 years ago. Scale is 15mm.
The concept is really simple -- a minotaur guards the entrance to a labyrinth. I researched the decorations for the painted walls based upon patterns found in Minoan and Mycenaean art.
I've still got one or two of these 15mm Minotaur figures; never found another use for them. Nice camp, though.
Build is entirely foamcore.
This was back when my basing and flocking technique was much more primitive than it is now.
This might have been my first ever experiment with resin water. The ship is from Essex, as is the Saxon (or Viking) shieldman. Minor touchup with added rope (thread); otherwise everything you see there is the ship as it came in the bag (unpainted, though).
I've got no idea where this camp is now; I must have given it to someone.
Lake Peipus is the famous "battle on the ice" where the Teutonic Order was defeated when some or all of them fell through the ice. What a glorious scene for a camp, I thought! And here it is. This is a camp I made more than 25 years ago for David Schlanger, and gave to him for a wedding present. Not sure his wife ever appreciated it; maybe she would have preferred something better for a couple.
This was my first experiment with using the "cracked ice" flourescent light cover as, well, ice. I broke and chipped out the hole in the ice, then took a figure and cut it diagonally in half to make the guy falling into the ice. I think I might have used resin fake water as the water under the ice?
Some long time ago I made an Ark of the Covenant camp for Dave Schlanger's Early Hebrew army. I don't have any pictures of the camp, but I do have a picture of the Ark of the Covenant. It is carved from Sculpee, baked, painted gold, and decorated. The legs are made from crimped brass rod, bent to shape.
I'm a much better painter now, this image is probably 25 years old. So don't take it as emblematic of my current work!
This is a very old camp (made before the year 2000) that I refurbished and gave to my friend Mike Sibilia in trade for some unpainted figures. It is all made of toothpicks and wire, with the gate working (it opens and closes) and a guard tower.
Figures are Black Raven Foundry, I believe. 15mm, muscular orc/goblins.
This terrain piece is produced by an Australian company (miniaturescenery.com). This particular piece was called "Imperial Ruins Entrance" and is no longer in production, but an updated version of the same thing is called the "Forsaken Ruins Doorway". I've got a few more of their pieces; they make awesome stuff.
The two statues and the base and rubble are added by me (and the whole thing painted), but otherwise it is shown as the kit comes. Very nice.
I have lots of Lord of the Rings armies for Triumph! in 28mm, on both sides of the fence. I was thinking of this as a camp for armies fighting in Osgiliath, which at the end of the Third Age had been ruined for some time. Since both Gondor and Mordor (Orcs) held it at various times, I wanted the camp to work for either one. So I painted up two defensive garrisons -- one Orcish and one Gondor. One image from the backside is shown for each crew.
This camp is intended for use with a Fantasy Egyptian army in 28mm. It is heavy -- 10kg or so. And it is big as well.
A company called Hirst Arts (hirstarts.com) makes rubber moulds for casting your own bricks. One of their many many moulds makes the bricks and decorative parts seen here -- every single brick in this model is cast plaster, which explains why I could use it as a battering ram if I forget my hotel room key during a convention.
So I cast about half a thousand little bricks, glued them together, painted them, and here it is. Actually very therapeutic. The two Anubis statues were acquired through Ebay; the seated one is maybe 80mm long or so, the standing one about that height.
Paint was easy -- one coat of fairly liquid tannish sandstone, then a sepia wash, and done.
This camp is scaled for 28mm armies. Way too big for 15mm.
After making a number of palisade camps with toothpicks (many of which you can see here) I wasn't so happy with them. The toothpicks are all the same diameter. Logs in the real world don't come that way, and painting them didn't help the fact they were all kinda the same color as well.
So here I did the same technique as before, but I collected a bunch of small twigs over a year or so, let them dry completely in my basement, and used them instead. Trim one end as if by an axe, cut the bottoms flat, glue them in place. Took some major prep time, but gave a really wonderful look to the camp.
No painting needed. It's a lovely palisade with two raised "towers" on either side of the entrance to help defend the weak point.
The banner shown is for my Beastman fantasy army; it is removable, fitting in a square tube. That not only makes it safer for transport (the banner would get broken for sure) but also allows me to use this same camp for other barbarian armies. If I had any, I could use it for Germanic or Ancient British armies as well, but I don't have those in 28mm.
This camp is sized suitably for 28mm armies only; too big for 15mm.
The construction is from scrap wood (molding) and MDF cut on my tablesaw, plus six wedding cake plastic pillars. Painting was just grey with lots of white drybrush. Final touch was to add a tourist-y statue of Artemis I found somewhere.
I use this camp for my Greek Fantasy army -- hoplites, centaurs, and satyrs.
This is an incomplete camp, stalled by technical difficulties. It is sized for 28mm armies.
The concept is to have a golden idol, lit by a fire from within, inside a shaman's hut.
The idol is done and painted (dirt easy -- hit it with some gold metallic spraypaint). The fire within is done (flickering light diode and reflecting stuff, with wires running to a battery accessed in the back). The ground is painted. And most importantly, the hut is created by using basketweaving techniques, which took a while.
But the next step was to cover the hut, mostly, with animal hides. My intent was to use tissue paper, cut to shape and painted, and layer them up to cover the hut. I'm stalled here. The tissue paper shows a regular pattern that makes it function poorly as animal hide.
The other problem is that I don't really have an army for this camp, so there is no urgent need to finish it.
After tiling the hut with tissue-paper animal hides, the only step that remains is to add a bunch of foliage.
28mm scale; the Lothlorien Elves are LOTR skirmish figures.
The flets are plastic sheeting cut to fit the tree, painted and scored to resemble grayish wood.
Drums, drums in the deep!
This is a stronghold (camp) for goblins in Moria, in Khazad-dûm. It's 28mm scale, and big even for that (takes a lot of room on the map).
The architecture is built of Sintra with accent pieces of MDF. The doorway and dwarf skeletons are from an old GW / LOTR kit, as are the goblin drummers and archers (separately). The barrel is from ship modeling somewhere.
The tile under the rubble in the room interior is plastic shelf liner material. It is perfect for tile, except that it really doesn't take glue well, and it shrinks and flexes, meaning it doesn't take paint well either. It does make for nice tilework without any problem of exact scribing of lines or anything into MDF.
Building this whole diorama was forced upon me by the existence of the doorway. Once you have a nice doorway, you have to build it into a room, then you have to fill the room, and so on. The door panels can swing open and closed.
Okay, this one is big. I made it to serve as the camp for a triple-sized army (Grand Triumph), and for armies with 80mm bases, so it is really large. The normal battle map it is intended for would be 12' across, so at more than 2' wide and about the same high, it looks great. It's only a half volcano, though -- the back (not shown) is flat.
It's a volcano, aimed at double-purpose use either as Mount Doom (for the climactic battle of the Last Alliance of Elves and Men) or for the stronghold of a Fire Elemental army (of which I have three, of course). Everyone needs a scale replica of Mount Doom, right?
The base for the construction is layered pink foam (layered vertically, not horizontally -- the back is flat) cut down with knives and hot wire tools, then spread with paintable bathroom caulk, painted and drybrushed.
The back has a hole for the lighting system and the smoke machine.
This thing is awesome.
I was making something out of MDF and I noticed that the cutoff pieces could be combined in these really cool spiky claw shapes. Spiky claw shapes on a stronghold clearly marks that it is held by something truly Evil. Other than the spiky claw shapes, the walls are simple foamcore. I had a bag of cheap plastic skull rings -- any stronghold held by something truly Evil would obviously decorate with lots of skulls, so there you go.
The gate was a resin piece I got somewhere, as was the pentagon on the top.
The whole thing is hollow (without a back), all the better to decorate with thrones, weeping sacrificial victims, and the like. I painted up a throne for a Drow Queen (second image); it isn't permanently attached to the interior because I might want to use the stronghold for a Necromancer, or a Demon Lord, or lots of other fantasy Evil kinda guys.
This camp could as easily have been put in the Object Camps category, as the basis for the whole camp is a large aquarium terrain Aztec or Mayan pyramid.
The pyramid is quite large -- using it in games I often only put half of it on the map (with the other half extending off-map). I use it for several 28mm (80mm base width) fantasy armies based on jungle topography, and I've got figures for some 28mm Aztecs as well (but they aren't painted yet).
I deliberately built the base for the camp so it would be clear if you faced it one way, and heavily enjungled if you faced it the other way. The concept is that I can use it the clear way for jungle cultures at the height of their development, and the overgrown way when the culture is ancient, decadent, and no longer taking good care of itself. Which fits well with my Lizardmen armies (of which I have several). Looking at it now, I think I need to increase the jungle and the vegetation factor, climbing up the pyramid, on the backside. Some lianas twisting and lots more undergrowth and stuff, I think.
This camp wins the award for heaviest camp. The two side pieces are bookends produced in association with the third Peter Jackson Hobbit movie. They function as huge stone statues framing the gate to Erebor, or Moria, or any cool Dwarven stronghold. The hammer decoration plaques inset in the walls were some sort of weird coin produced by Ral Partha in the 1970s or early 80s, when D&D was still young and nobody was sure what people who played it would spend money on. They are cast of pewter (standard miniature metal); the other side was stupid, but this side worked great as decorations for a Dwarvey wall. The walls themselves are pink foam insulation cut with exacto knives. The backpiece is half inch plywood -- I needed something really solid to bind these things together.
This gate is an example of forced perspective -- my Lord of the Rings armies, and my Dwarves, are all 28mm figures, but the crenelations and doors here are smaller. If I ever find any 10mm or 15mm Dwarves I like, I'll be putting some on the walls.